DECISION TO LEAVE Q&A with Park Chan-wook | TIFF 2022

The team behind DECISION TO LEAVE in conversation with TIFF in advance of its premiere at the 2022 Toronto International Film Festival. A dramatic love story is the beating heart of Park Chan-wook’s mesmerizing and lavish noir masterpiece, featuring the charismatic Chinese star Tang Wei.

The 47th Toronto International Film Festival runs September 8 to 18, 2022. For more, visit http://tiff.net.

After his dazzling Vengeance Trilogy (Sympathy for Mr. Vengeance, Oldboy, and Lady Vengeance) drew genre film fans into a world of graphic hyper-violence and powerful dark passions, Park Chan-wook elevated the tone and style of his suspense thrillers with The Handmaiden. He’s brought that same refined elegance to his latest seductive masterwork, and we can only be grateful. Decision to Leave is an exceptional love story and a sublime noir thriller that invites the audience not to seek a culprit or a solution to the riddles proposed by the plot but to get lost in a mesmerizing tangle of tension, slow-burning desire and subtle emotions. The resulting experience is a personal and highly satisfying immersion in pure cinema. Everything starts with a fall. A man who was climbing a mountain is found dead, crashed on the ground. Tragedy? Suicide? Homicide? Handsome detective Hae-jun (Park Hae-il) investigates the mystery. He is a gentle man, happily married and devoted to his work, the youngest inspector in Busan, a city of unsolved cases where crime rides high. Making the case even smokier is Seo-rae (Tang Wei), the elusive, charismatic, and impossibly attractive Chinese wife of the deceased, whose charm creeps under Hae-jun’s skin. In ways he could have never envisioned, their broken conversations — deciphered through smartphone translations, her composed gestures, and mysterious allure — upset his life little by little, making him fall mentally and emotionally. Wei’s performance intrigues and captivates, her black-widow role seemingly tailored to her magnetic personality, shining in the splendid work of indisputable Korean master Park.

Park Chan-wook was born in Seoul. He studied philosophy at Sogang University and later worked as a film critic while pursuing a career as a writer-director. His works include The Moon Is... the Sun’s Dream (92), Joint Security Area (00), I’m a Cyborg, But That’s OK (06), Thirst (09), Stoker (13), and the Festival selections Sympathy for Mr. Vengeance (02), Oldboy (03), Lady Vengeance (05), and The Handmaiden (16). Decision to Leave (22) is his latest film.