70s French Jazz Mix (Soul Jazz, Free Jazz, Spiritual Jazz, Ethno Jazz..)

"In France the fortunes of few genres were as closely linked to May ’68 as free jazz."


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𝕿𝖗𝖆𝖈𝖐𝖑𝖎𝖘𝖙

00:00 | Michel Sardaby - Welcome new warmth
03:17 | Rhesus O - Éveil
05:26 | Jef Gilson & Malagasy - Valiha Del
10:07 | Baroque Jazz Trio - Orientasie
13:24 | Edja Kungali - Jungle Dance
19:25 | Jacques Thollot - Position stagnante de réaction stationnaire
20:50 | Henri Texier - Le sage, le singe et les petits enfants
25:14 | Jef Gilson, Malagasy - Hommage À Rakotozafy
30:00 | Moving Gelatine Plates - Un Jour...
31:16 | Jef Gilson, Malagasy - Buddah's Vision
37:09 | Christian Zÿsset - Thème N° 3 Medium Free-Jazz
38:47 | Daniel Humair, Jean Luc Ponty, Phil Woods, Eddy Louiss - La Sorcellerie
43:53 | Richard Raux, Hamsa - A Coltrane
46:46 | Mahjun - Chez Planos
52:50 | Henri Texier - Angèle
54:14 | Brigitte Fontaine - Moi aussi
56:45 | Intercommunal Free Dance Music Orchestra - 7 rue des Precheurs
58:03 | Zao - Ataturc

-҉ ҉-҉ ҉-҉-҉ ҉-҉ ҉-҉-҉ ҉-҉ ҉-҉-҉ ҉-҉ ҉-҉-҉ ҉-҉ ҉-҉-҉ ҉-҉


Jazz in France during the 1970's : "In France the fortunes of few genres were as closely linked to May ’68 as free jazz..

Certain groups adopting the style or borrowing heavily from it claimed to have formed during May further buttressed the perception that a subterranean connection existed between the spontaneous character of the protest movement and the improvisatory practices of avant-garde jazz..

Free jazz musicians were among the most active members of the musicians’ strike.. The genre appeared to suffuse the May events from one end of the uprising to the other..

It bespoke a belief that the Free Jazz somehow corresponded to the social movement, that the two were in some way connected..

Free Jazz in France remained highly visible in subsequent years. This may appear surprising, given that the movement was both relatively new to France and widely perceived as inaccessible. Yet the assumption that free jazz would prove too rebarbative for audiences was refuted in the event. Concert reviews from the late 1960s make continual reference to auditoriums overflowing with a public that was young, enthusiastic, and demanding."

📜 Excerpts from : "Music and the Elusive Revolution: Cultural Politics and Political Culture in France, 1968–1981" by Eric Drott - Associate Professor of Music at the University of Texas」


#jazz #frenchjazz #deepjazz #souljazz #modaljazz #spiritualjazz