Perfect Swing: Best Swing Bands of the 1920s 30s & 40s Expertly Remastered Jazz Classics

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Various Artists - Perfect Swing
Released 2006-05-29 on Past Perfect
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1. 00:00:00 Benny Carter Sunday
2. 00:02:48 Jimmie Lunceford Ain't She Sweet
3. 00:05:18 Teddy Wilson Exactly Like You
4. 00:08:14 Count Basie Topsy
5. 00:11:27 Woody Herman At The Woodchoppers' Ball
6. 00:14:44 Benny Goodman Air Mail Special
7. 00:17:42 Harry James Music Makers
8. 00:21:00 Duke Ellington Exposition Swing
9. 00:24:13 Lil Armstrong Lindy Hop
10. 00:27:07 Johnny Hodges Good Queen Bess
11. 00:30:09 Cab Calloway The Jumpin' Jive
12. 00:33:00 Tommy Dorsey Deep River
13. 00:37:00 Lionel Hampton Flying Home
14. 00:39:59 Glenn Miller Wham (Re-Bop-Boom-Bam)
15. 00:43:35 John Kirby Blue Skies
16. 00:46:17 Andy Kirk & His Clouds Of Joy Wednesday Night Hop
17. 00:49:26 Louis Armstrong Swing That Music
18. 00:52:18 Artie Shaw Oh! Lady Be Good (Balboa) (Balboa)
19. 00:55:29 Jimmy Dorsey Major And Minor Stomp
20. 00:58:48 Earl Hines Indiana
21. 01:00:52 Red Norvo It Can Happen To You
22. 01:04:02 Charlie Barnet Skyliner
23. 01:07:04 Bud Freeman & His Summa Cum Laude Orchestra The Eel
24. 01:09:50 Benny Goodman Wrappin' It Up
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℗ Past Perfect Limited
Perfect Swing For so short and innocuous a word, ‘swing’ packs quite a punch. Although the heyday of swing music was more than half a century ago, even a passing reference to ‘swing’ can beam up images of lively jitterbuggers, crowded dance pavilions, and those beacons of the past, the big bands, endlessly active, instruments glinting in the ballroom spotlight.
Of course, to lovers of between-the-wars jazz, swing is far more than a portmanteau term for a musical style. But try to get a fan or indeed, a critic to define what they mean by swing and you tend to get a response which echoes Fats Waller’s famous dictum: “If you have to ask, you’ll never know. Writer Gene Lees’ was a touch more helpful when he wrote that ‘the verb describing what the music was supposed to do turned into a noun to identify it: swing.’ In time, press agents made this a show business construct, employing ‘swing’ as useful shorthand for the music made by the myriad touring big bands (and their smaller offshoots) which – sparked by Benny Goodman’s extraordinary breakthrough at the Los Angeles Palomar Ballroom in August 1936 – sprang up all over the United States.

What better way to open our marvellous collection of re-mastered classics from the swing era than with At The Woodchopper’s Ball? Woody Herman’s greatest commercial and popular success features Woody’s haunting blues clarinet and Neil Reid’s punchy trombone with Saxie Mansfield on tenor-saxophone and trumpeter Steady Nelson. Crisp riffs – repeated instrumental figures – were a swing trademark. Jimmie Lunceford was a Memphis athletics teacher and part-time musical instructor who turned his college orchestra into one of the finest big black bands of the 1930s. Sy Oliver’s arrangements and eye for cute presentation helped Lunceford satisfy both the record-buyers and the jazz cognoscenti. Willie Smith’s plangent alto kicks things off on Ain’t She Sweet before the vocal trio led by trombonist Trummy Young amble through the lyrics.